The Brutalist, a period drama that takes place in the aftermath of World War II, stars Adrien Brody, who plays a Hungarian Jewish Holocaust survivor. Film critics have widely praised the movie, which garnered ten Academy Award nominations and won three Oscars, including Brody's award for Best Actor.
Brody's Oscar is well deserved. Brody plays the character of Laszlo Toth, a Hungarian architect who emigrates from Germany to the United States after surviving the Buchenwald concentration camp. Traumatized by the Holocaust and separated from his wife, Toth struggles against various obstacles, including antisemitic prejudice, until Harrison Van Buren, a wealthy industrialist played by Guy Pearce, hires him to create a monumental structure in a small Pennsylvania town to commemorate Van Buren'sdeceased mother.
Toth's anguish and pain are perfectly portrayed on Brody's tortured face, along with his pent-up anger, which Toth displays from time to time throughout the film. Indeed, the energy in Brody's performance carries the entire movie.
Nevertheless, The Brutalist has a few flaws. First, the movie is far too long--three and a half hours, so long that it includes an intermission. Gone with Wind needed an intermission. Doctor Zhivago needed an intermission, The Brutalist needed to be shorter.
Second, Director Brady Corbet included some scenes that added nothing to the movie except gratuitous shock value. Van Buren, Toth's wealthy patron, rapes Toth in Italy. The audience already knew that Van Buren was a creep. The rape scene should have been cut.
Finally, the film's title, The Brutalist, links Toth's architectural style with Brutalist architecture, but that association was probably unclear to most moviegoers. Perhaps Corbet sensed this and included an epilogue in which Toth's niece explains that Toth's Brutalist architectural design was Toth's way of processing his traumatic experience at Buchenwald. The film would have been stronger if Corbet had connected Toth's trauma to his Brutalist architectural style earlier in the movie.
All told, The Brutalist is a fine movie. Laszlo Toth, Brody's chain-smoking, grief-stricken, agonized character, compellingly displayed the lifelong damage of trauma for those who survive it. Toth drew on his creative architectural talents as a way of coping with his psychic injuries, but, like every victim of profound trauma and violence, he never recovered from the pain.
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Buchenwald Concentration Camp. Photo credit: West Virginia University. |